RED exclusive premiere on myspace starts today!
Myspace is doing an exclusive premiere of RED starting today (If you're in the US the party starts tomorrow, June 2,) streaming the ENTIRE album from our profile .
Fredrik took some time to record a video where he laid out the inspirations, the references, and much more that went into the making of the album. Click here to check it out.

RED will be in stores next week in the UK, Europe, and will be available online in the US (cd release is September 1.)

And last but certainly not least, some of you have gotten a taste of the spectacle that is Datarock live in the past few weeks, and Singapore, Australia, and California are next on the hit list. Be sure to get your tickets soon, they're going fast (Come Together fest is already sold out!) Complete info is below:

Datarock on tour

June 2	Zirca	Singapore, MY
June 5	The Zoo	Brisbane, AU
June 6	Come Together Festival, Luna Park	Sydney, AU
June 12	The Independent	San Franscico, CA
June 13	Spin Magazine Presents @ The Key Club	Los Angeles, CA
June 19	Hurricane Festival	Schessel, DE
June 20	Southside Festival	Neuhausen ob Eck, DE
June 27	Ekstremsportveko	Voss, NO
July 11	Loop Festival	Brighton, UK
August 8	Summer Sonic	Tokyo, JP
August 9	Summer Sonic	Osaka, JP

Give It Up Remix Ep available everywhere
Hey Hey, Just a reminder that the "Give It Up Remix EP" is available everywhere today. It includes remixes by Kissy Sellout, Chateau Marmont, Fan Death plus the album version of the single PLUS the LP version of "True Stories"

Win tickets to SOLD OUT Single launch in London!
Here's your chance to win tickets to Datarock's Single launch at Camden's Barfly on May 18th! Click HERE to enter.
Competition closes : 13th May 2009.

True Stories posted to myspace player
True Stories" which will be part of the the "Give It Up Remix EP" (out May 19th) is now in the myspace music player. You can also hear the song in the new SIMS 3 game which you can preorder here.

Behind the scenes at the "Give It Up" video shoot
Behind the scenes at the "Give It Up" video shoot. Watch and learn some backstory, some new moves and what inspired the boys to dance it all out.

Fredrik Live chat today at 3pm PST
Fredrik is teaming up with RockYou on TODAY at 3:00PM PT (6pm ET, 12am OSLO) for an up close and personal live chat. Bring your questions about anything to Meebo.com’s chatroom. His responses will be streamed live through Ustream.com. You can connect to the chat via RockYou's Super Wall Application (here:http://apps.facebook.com/superwall/backstage.php) .

GIVE IT UP video online now!


"You got to live by the game
You got to live by the rule
You got to know your means and your moves" - Give It Up


GIVE IT UP the video is on youtube now!

"Give It Up" was actually an idea for a music video before it became a song, paraphrasing "Beat It", "Bad", the 1951 film of "West Side Story" and the 1996 film of "Romeo & Juliet". "You have a dance battle," explains Fredrik, "Where a Datarock gang meets the bad guys, and we have a dance off, and then everybody becomes the Datarock gang. And I'm like Mercutio, trying to tell Romeo to shape up, snap out of it, give it up." He continues, "Thing is, just singing a song about dancing… it's too simple. Everyone's gonna dance anyway. So it's nice to do something insane in the lyrics, like paraphrasing, you know, Romeo & Juliet!"

You have a chance to ask Fredrik more about his idea for the video, the new album, or anything else next Tuesday April 14th at 6 pm EST (3pm PST 12amin Norway!) when he joins a LIVE video chat!
For complete details on how to login and chat Fredrik up head over to Datarock's myspace blog.

The first single from RED is available in the US now!
"Give It Up", the first single from RED is available now in the US! Click here to grab it from itunes

The Evolution of Jai Uttal on RockOm.net
The Evolution of Jai Uttal: Jai on dreams, new directions and his latest album, Thunder Love
By Trevor Harden, trevor@rockom.net

In the world of American yoga/kirtan music, a small handful of prominent names rise to the top, one of which is Grammy-nominated musician Jai Uttal. Thunder Love, Jai's latest release (out March 24th on Nutone Records), marks a turning point in his career on both a professional as well as personal level. The album features Jai not only as a vocalist and interpreter of Sanskrit mantras, but also as an English-speaking songwriter and fuses sounds, elements and genres that are new to his ever-widening musical palette.

RockOm: Your musical/spiritual background and Nutone's founder Terry McBride seem to be a perfect fit. How did you come to find a home at Nutone Records?

Jai: I was hearing about Terry for a while, but the last three albums have been on Sounds True, a smaller label. I've been really happy to not have a record deal with a major label as I've had very mixed experiences in the past. My relationship with Sounds True was a one-off, distribution deal and it felt really good to not be tied down to any label - to be totally free, totally independent. I was working on Thunder Love and because there was no label I spent a long, long time on it for a variety of reasons. But somewhere toward the end of the process I started to wonder, "What's going to happen with this album that I've spent so much time making? How am I going to put it out?" Around this time I started to hear about Nutone, Terry and Nettwerk records. My first thought was, "Oh I don't want to be on a label that has every other kirtan singer in the world on it." I didn't want to just be another part of the big soup pot. But I started thinking about it more and communicating with Terry and I saw that he's a really beautiful guy with really good intentions, as well as a really solid [placement] in the marketplace. He's very experienced and knows what he's doing. He heard Thunder Love and really liked it and we said let's do it - it sounds really fun! So far he seems very attentive, very respectful in a way that many people in the music business aren't. As I've researched, I see this has always been his history, his M.O. - being really respectful of the artist.

RockOm: You've gone a fresh direction with this album - moving not away from kirtan, but delving more into Americana, roots, Brazilian, and electronic sounds. What inspired you to go this new direction on Thunder Love?

Jai: If I exclude the Sounds True recordings and look at all my Pagan Love Orchestra recordings, I feel like every album has been a pretty new direction but still rooted in the previous album. But on Thunder Love there are some really new elements for sure - one of them being the Brazilian. About nine years ago I met my wife Nubia and I feel like I married into another culture. She's been drawing me so much into the Brazilian music and it's been a great journey. Brazilian music is also so much more varied than most of us here in North America are aware. It's not just bossa nova and samba and stuff. I have been so immersed in Indian music for so long that getting this fusion of this new world of music has been really inspiring to me musically. I started studying and listening, going on lots of trips to Brazil and I started taking Brazilian guitar lessons.

Then [regarding] the Americana side of Thunder Love... my first real, real musical love was old-timey banjo music when I was a teenager. All these years later I still play and love banjo. I don't do it professionally, which is probably one of the reasons why I love it so much. It has popped up in a lot of my albums, but on Thunder Love I allowed it to come out more. One of the songs, "Down on My Knees," is a mixture of an old-timey banjo tune with Brazilian rhythms and Tibetan chanting - how fun is that? And the rock, Indian and psychedelic aspects of my music have been there all along.

About five or six years ago, on one of the trips down to Brazil I was doing some shows with the guy who plays tabla and percussion with me. He was so happy and excited about how the Brazilian percussion can work with the Indian percussion. I tried to bring that out on Thunder Love and I think we can expect many more experiments in that realm from me in the future.

This album is also very different than the others in that there is so much [sung in] English. All of my Pagan Love Orchestra albums have one or two English songs, so certainly I continued over the years to be somewhat involved in that realm of songwriting but part of [doing a full album in English] was the feeling comfortable enough inside my own skin to go into a place that was scary - expressing myself with English words. It's a whole different level of vulnerability and security that I finally felt able to explore. I pray in Sanskrit but the continual facilities of my mind think in English. I'm always writing stuff in English but have always felt a little too insecure to put it into a song. I negatively compare myself to Bob Dylan, John Lennon and everyone in the world - so I just wanted to take a chance. It was a big step; I don't know if people are going to like it but I'm very happy with it.

RockOm: The album's first track, "Bhavani Shankara," uses a lot of these Brazilian sounds and lyrically it seems to speak of being lost in the divine and also the absence of the divine ("where have you gone?"). Can you share about your inspiration for this song?

Jai: My whole life I've had nightmares and very difficult sleeping experiences. I spent many years addicted to sleeping pills and thank goodness I'm not anymore. I used to bemoan it - "poor me, poor me, I can never sleep, I'm always having nightmares." Now I try to use this weird phenomena of strange dreams as a kind of self-exploration. It's obviously my mind telling me something. I got into some dream therapy - and I don't want to get into that too much right now - but that helped me explore what these dreams were for me. "Bhavani Shankara," and a couple other songs on the album, come out of that dream exploration and that feeling I'm so familiar with of waking up in the morning and feeling lost, alone, and afraid. But very quickly I look at my life and say, "Well, I'm not alone, there's no reason to be afraid, everthing's ok." There's a deep eternal dichotomy in life with such beauty, fulfillment and gratitude [alongside] this deep loneliness. I don't know where it comes from - but I also know that in the tradition from India of bhakti or devotion, where all the chanting comes from, that the overlay of the feeling of separation and the feeling of oneness is very much is embraced. The times when you feel alone and stuck in longing are revered as much as the times you feel ecstatic. All of that goes into that song. I'm telling in English about what I'm feeling in my dreams and then offering it all to the Spirit in the Sanskrit prayer part. And also Shankara is called the Lord of Dreams.

RockOm: One of the other songs I wanted to ask you about, since so much of what you do is based on Indian spirituality, is the track "Adonai" (the Hebrew word for God). It sounds like something that could have come right out of the Christian and Jewish Psalms. Can you tell us what led you to write a song from that perspective?

Jai: I guess it was 14 years ago or so that I went on my first trip to Israel to perform. I am Jewish, my family was Jewish and I feel Jewish, although I don't do many Jewish practices. [While in Israel,] I felt suddenly so connected to this ancient tribe and I composed this song "Shalom" and put it on the album Mondo Rama. I guess I'm a Hin-Jew [laughs]. I don't feel that connection or participation in Jewish spiritual practices day to day, but I still feel part of it. So the song "Adonai" also came out of one of these dream therapy sessions where I was remembering some dreams based in Nazi Germany - that's how this song started. But "Adonai," it's a beautiful word and [could be considered] just like a kirtan; all kirtan is is repeating the names of God.

By the way, one day before Hanukkah my three-year old boy was in the backseat of the car saying, "Adonai, Adonai, Adonai, Adonai..." It looked like he was in bliss and I asked him what he was doing. He said he was praying to Adonai and I said, "what are you praying for?" He said, "A police car!" [laughs] So that's what we got him for Hanukkah and he said that Adonai had gotten it for him.

RockOm: Will you be hitting the road in support of the new album?

Jai: I hope so; I always seem to be hitting the road anyway. I want to figure out how to make a concert that is partially kirtan - because firstly I just love kirtan and secondly I love the way it brings the audience in, suddenly there's no audience - but also present some of the songs from Thunder Love, which is more of an audience/performer type of thing. That's the next challenge.

The kirtan thing is so amazing, going around the world, around the country. In doing kirtan the concert presentation is very simple - it's usually just me and a tabla player. Just seeing how the group energy of the kirtan explodes - it's so great and yet it's not the only thing I do musically, of course. The album [now] gives me a chance to really explore some other musical sounds. So we'll see how the gigs in the next few years evolve!

www.jaiuttal.com

www.myspace.com/jaiuttal

SXSW: Datarock was THERE
Datarock are en route back from The States, but we wanted to show you the hard evidence of the swath they tore through Austin last week at SXSW. The week was outstanding by anyone's standards, but the opening slot for DEVO was staggering. The boys in RED played a ton of stuff from the new album including "Molly Ringwald", The Pretender", and the new single "Give It Up" which will be available on itunes April 14th. For more pics check out our facebook album

A massive thanks to everyone who came out, stood in line, STAYED in line, rock out, and came back for more.

Stay tuned for lots more news coming soon.

Datarock @ London Barfly 5/18 and we've got a presale!
We would like to offer to our very best friends and fans an exclusive pre-sale to our show at Barfly in London Monday 18th on May.

This show is sure to sell out once it goes public so get in there while you can!
Click for tickets:

Pitchfork reveal RED album art
Pitchfork has just revealed the cover for RED! Check it out here and stay tuned for news of SXSW dates. Yes, Austin, Datarock is coming for YOU.

DATAROCK's "RED" A small step for DATAROCK...
It's a brand new year, and even though you're all either in the red, seeing red, on red alert or being caught red handed DATAROCK's got good news for each and everyone of you: the difficult second album is finally finished and it's the best thing to happen mankind since the C64. The red letter day isn't till June, but we'll be letting you in on a few red hot secrets long before.

DATAROCK's "RED" is no less than a masterpiece based on the good old principle of artistic theft ("amateurs borrow, professionals steal"), and of course again we've dug ourselves into the data about the rock of the late seventies & early eighties: the art, the music, the films, the subversive & popular culture, the new theory, the new technology and all that new equipment. As I'm sure we all agree there's never been a more exiting period of time within the world's collective cultural history. The years between '76 and '83 are in all ways the peak of cultural evolution. The zenith, the rise and the fall.

When starting to produce we decided to try and create a brand new trinity of inspiration. Fela Kuti, Afrika Bambaataa & Kraftwerk were to replace Talking Heads, DEVO and Happy Mondays, and all the equipment to go on the album had to be made before 1983. Of course, as Sophocles taught us long ago, one simply can't escape the natural course of events, so yet again that original trinity was right back in place. Gerald Cassale of DEVO even ended up helping out creatively in the process, by coincidence we ended up on the same stage as the Mondays on a number of occasions, and Talking Heads, well, I guess we all know DATAROCK's pretty much just some kind of tribute band anyways. No point in hiding the evident right, so one of the tracks is nothing but a tribute where we list some of DATAROCK's favorite Talking Heads tunes. The title's "True Stories" as in David Byrne's motion picture from 1986, and the video is all about paying homage to their classic concert movie "Stop Making Sense" from 1984.
Br> We've essentially been working with the same guys and studios back home as we did on "DATAROCK DATAROCK", but this time we added a few stays with the Reverend over at Wendyhouse in London - some call it a house, we call it a home. For whatever reason this added a tiny bit of a new flavor, and though we're not quite sure where it all came from, somehow DATAROCK ended up doing something new. We got a little bit of West End, a hint of the Caribbean, a dash of West Africa and a whole lot of pulsating postmodernity. Was it the Commonwealth rushing trough our veins? Was it just hanging out in that multicultural metropolis? Let's have a look at what happened lyrically.

The Pretender
I'm a North Korean
I'm a South American
I'm a European
I am a Samaritan
I am a Believer
Praying for a Better World
I am an Achiever
I'm a Boy and I'm a Girl

I am a Pretender
At one with my Avatar
Real Sweat 'n Tender

I'm a South Korean
I'm a North American
I am a Norwegian
I am a Civilian
I am a Believer
Praying for a Better World
I am an Achiever
I'm a Boy and I'm a Girl

I am a Pretender
At one with my Avatar
Real Sweat n' Tender
Know what you're looking for?
Blond, Tall 'n Slender
Adventure's my Center Core
Never Surrender

Replied my Email
"Aint no Such Zone"
She'd Written 'pon It
Address Unknown
Return to Sender
Put in Her Hand
It's Second Life and
I'll Understand
I'm The Pretender
Virtually Giving Into My Feeling and Never Giving Up

I'm a Son Zion
I'm a Presbyterian
Used to be a Mayan
Now am a Republican
I am a Believer
Prying for a Better World
I Am an Achiever
I'm a Boy and I'm a Girl

I'm the Pretender
At one with my Avatar
Real Sweat 'n 'Tender
Know what You're Looking For?
Blond, Tall 'n Slender
Adventure's my Center Core
Never Surrender

But rest assured. This is just a tiny fraction of the overwhelming load of data we're rockin' out in red:

01: The Blog
02: Give It Up
03: True Stories
04: Dance!
05: Molly
06: Do It Your Way
07: In The Red
08: Fear Of Death
09: Amarillion
10: The Pretender
11: Back In The Seventies
12: Not Me
13: New Days Dawn

Another thing new is the fact that we finally decided to come clear on a very important issue: DATAROCK never was just a duo. Cult or sect would be exaggerating, and in danger or revoking the red fear we're not gonna claim we're the red army. DATAROCK is very much a collective though, and most of the associated members were involved since the very start of this insanity. Let me introduce you to a few of them right away:

Adrian Meehan aka Reverend Breverend: backing vocals, drums, percussion, production & programming
Amund Ose aka The Male Nurse: backing vocals and percussion
Andy Duggan aka The Scotsman: booking
Andre Holt aka Dr Dre: administration
Antoine Bouillot aka The Frenchman: art direction & video
Atle Øksendal aka The Gosu: graphic design
Audun Mathias Øygard aka Audiogarde: backing vocals & keyboards
Bent Rene Synnevåg aka Not Bent: photo
Brad Owen aka The Agent: booking
Edward Warren aka Right Said Ed: light design
Eirik Moberg aka Dengis: backing vocals, guitars, keyboards, percussion & programming
Erlend Fauske aka Politest Guy Alive: keyboards, production & programming
Fredrik Saroea aka Rock Steady Freddy: art direction, bass, design, drums, guitars, keyboards, management, percussion, production, programming, video & vocals
Frode Flatland aka Frodello Bordello: backing vocals, bass & percussion
Frøydis Moberg aka Lady In Red: day to day management
Gaute Tenold Aase aka Luft: art direction & graphic design
Jostein Steinsland-Hauge: production & programming
Jørgen Eidem aka Mensch: art direction & graphic design
Jørgen Træen aka Duperman: guitars, keyboards, production & programming
Kato Ådland aka Major Seven: guitars, keyboards, production & programming
Ketil Mosnes aka Ket-Ill aka Ketel One: backing vocals, bass, guitars, keyboards, production & programming
Kevin Kocher aka Money Maker Money Money Maker: management
Kevin O'Brien aka The Minister: vocals
Kjetil Møster aka Ketel Two: backing vocals, keyboards, percussion, programming, sax & tour management
Knut Aaserud aka Polar Circle Boy: photo
Kristian Stockhaus aka Stockhaus: backing vocals, guitars & percussion
Kristin Egset Kjøde aka The Lawyer: finances & legals
Lisa Ferguson aka The Manager: business management
Mads Maurstad aka The Kid: photo
Mats Andersen aka Video Man: graphic design & video
Meghan Richardson aka Day & Night: day to day management
Ole-Thomas Kolberg aka Northern Star Groove Alliance: backing vocals, drums & percussion
Pascal Forneri aka The Godfather: video
Philip Loveday aka The Solicitor: contracts
Sofie Kjøde Saroea aka The Big Guy: logistics
Stig Narve Brunstad aka The Mystical Casio Operator: backing vocals & keyboards
Tarjei Støm aka LA Gear: backing vocals & drums
Thomas Larssen aka T-Man: backing vocals, bass & stage tech
Thomas Paulsen aka Mr Fix It: booking
Tom Mæland aka Bad Bikini: backing vocals, keyboards & programming
Tor Kristian Liseth aka TK: production management
Tore Landro aka God Of Thunder: backing vocals, graphic design & keyboards
Yngve Leidulv Sætre aka The Silver Fox: backing vocals, keyboards, production & programming
Ørjan Kjærstad aka The Radiologist: backing vocals & percussion
Øystein Fyxe aka Half Man Half Camera: photo & video
Øyvind Solheim aka Ike Andy: backing vocals, drums & percussion

You probably wont believe it, but DATAROCK's already done 500 shows in more than 30 countries, and for that insane number of shows we've had to rotate the on-stage line up and share the administrative and creative responsibilities. If you've seen us twice it's pretty likely that you've seen more than four of the guys, put it that way. We're a few key members taking care of a lot though and whole lot of members taking care of a little, but only put together and joined forces we get DATAROCK as we know it. It's still pretty much a DIY affair. We're just a whole lot of selves who share the chores to get it done.

So there you go. A brand new album's on its way, the tracksuit's zipped up and DATAROCK's ready to wave that red flag for the second time.

The boys are back in town!

Interview with erockster.com

MANETT PUBLISHING LTD. OPENS THE DOORS......
Manett Publishing Ltd opens the doors……

MAMA Group Plc and Nettwerk Music Group have announced the launch of new joint venture music publishing company – Manett Publishing Limited.

The jointly owned company will be based at the MAMA headquarters in Worship Street, London and will be administered worldwide by Nettwerk’s existing publishing business – Nettwerk One Music.

The company has already secured the representation of several signed artists including Universal Recording artist Yoav , alternative act Johnny Foreigner (Best Before Records), deals with Super Fury Animals covering their past and future releases and a solo agreement with Gruff Rhys covering his solo and collaborative projects including the Mercury Award nominated “Neon Neon” album .

Adam Driscoll, co-CEO of Mama Group said: “When MAMA Group became a partner in Nettwerk Music Group late last year this was exactly the kind of joint venture activity we envisaged flowing from our collaboration. Through this new business we are able to combine some of the best assets of our two businesses. We’re delighted with the calibre of our early signings and believe that they point the way to an exciting future for this publishing venture.”

Blair McDonald of Nettwerk UK added: “This is a great opportunity for both companies to create an exciting publishing catalogue, sourced form the various talent streams that the MAMA divisions can access whilst using the international reach and film & TV licensing expertise we have developed here at Nettwerk.”

NW1 is proud to announce the signing of critically acclaimed singer/songwriter SINEAD O’CONNOR
September 23rd , 2008 (London/Vancouver) – NETTWERK ONE (NW1), the publishing arm of Nettwerk Music Group, is proud to announce the signing of critically acclaimed singer/songwriter SINEAD O’CONNOR to an exclusive publishing deal.

As of September 15, NW1 will handle the publishing rights of O’Connor’s new compositions as well as songs from her catalogue, which revert to her over the next year. This includes her 1987 debut album The Lion & The Cobra and her sophomore Grammy winning album I Do Not Want What I Haven’t Got (1990).

“It’s very exciting to be working with such a timeless artist and great songwriter like Sinead,” states Blair McDonald of NW1. “She is working on some amazing new songs, and we see this as a great opportunity for NW1 to build a long term relationship with a unique songwriter.”

ALL THINGS NEW AND EXCITING IN 2008 FOR NW1
The start of the year saw NW1 take on the publishing rights to the entire catalogue works of 10,000 Maniacs, which together have sold more than 10 million albums worldwide. Other recent signings include John Spinks, the writer of all songs of former Columbia Records act The Outfield, including their biggest US hit “Your Love.” And most recently New York-based writer/producer Fredro, formerly from the Murlyn writing stables in Stocklhom. Since signing an exclusive writer deal with NW1, Fredro’s song, “Make It To The End,” has been a domestic #1 hit in Japan for the artist Tohoshinki . He is already writing for a number of major label projects in USA.

NW1 has also expanded its creative team with the hiring of Peter Coquillard, a music industry veteran who spent most of his career at Windswept Pacific, signing catalogues and working with artists like industry icon Pete Townsend (The Who) to alternative act Nine Inch Nails. Based in New York City, Coquillard rounds out the publishing team, who are located in offices from Vancouver to London. The company is overseen by Blair McDonald in London and co-owner of Nettwerk Music Group Mark Jowett in Vancouver. Other artists already in partnership with NW1 include Martha Wainwright, The Perishers, Duke Special and Barenaked Ladies.

Chinatown makes Amazon.com Top Ten Folk Albums of the Decade!!!

We're very pleased to be on the list with some of our favourite artists.

Check it out at amazon.com

dbClifford’s Debut Single Takes Japan by Storm


- Album Released in Japan This Week -

The timing couldn’t be more perfect. On the eve of his arrival in Tokyo for a two week promo trip to promote his Japanese release, dbClifford’s first single ‘Don’t Wanna’, from his debut SONY BMG MUSIC (CANADA) INC. release, RECYCLABLE, reaches the #1 spot on Japan’s Official Radio Airplay Chart this week. The video for the single, self-directed and produced by dbClifford himself holds the #2 spot this week on the Japanese Video Chart.

During his two week trip to Japan dbClifford will have an extensive media schedule, including radio events, in-store appearances and full band performances for his fans. dbClifford starts his journey in Tokyo and will continue to make his way to Niigata, Fukuoka, Nagoya, Osaka and Sapporo .

RECYCLABLE was released in Canada March 13th. Deemed a ‘world class multi-talented performer’ by Canadian Musician Magazine, dbClifford has won the hearts of audiences across the country. He is a young magnetic artist that wrote, produced, recorded and played all the instruments on the album. The 27 year old is a seasoned trained songwriter and a respected musician with abundant talent set for discovery across the world.

A major coup for a Canadian recording artist, dbClifford ‘s album is now set for the worldwide stage. The next region to be graced with the release of RECYCLABLE are The Benelux Territories (comprised of Kingdom of Belgium, the Grand Duchy of Luxembourg and the Kingdom of the Netherlands in Europe) set for later this year.

The Be Good Tanyas debut "Human Thing" video...
The Be Good Tanyas have just released a new video for "Human Thing."

Check it out now!
Watch on Revver.com
Watch on youtube.com